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Chapter
1 Shoreditch,
“’Ere you are,
gov’ner,” said the
cabbie as he let the young man out of his cab and took his fare.
“
The young man had known before he
came that he would need to “watch himself,” and he
took a firm grip on his
walking stick. His position as a clerk to a solicitor
often required that he find certain people, but never had he been in a
neighbourhood
as poor as this. He looked at his map again. Yes, It
was a sunny
day for January, and though the air was cold many of the dwellings had
their doors
open. This was to try to get rid of the “bad air”
which everyone believed
caused so much of the sickness in that district. He peeped into one or
two of
the open doors and saw rooms with nearly nothing in them. He walked the
length
of
But
it must be along here somewhere,
he said to himself, and as he wondered who might be able to enlighten
him, he
saw a policeman.
“Certainly, sir,” said the
policeman
when the question had been put to him. “But you
won’t find it by asking for
“Ah. Well, do you know how to find
Button-hole Row, then?”
“Yes, sir. Do you recall seeing a
pub called the Dog and Duck? Well, just beyond it is a little doorway
that
looks like it leads to nothing, but if you go in there you’ll
soon find
yourself in Button-hole Row.”
“Thank you,” said the young man.
“You will take care, sir, won’t
you?” added the policeman. “It’s not the
most law-abiding place in the
district.”
“I will, indeed.”
The young man found the little
doorway and discovered that it led into a kind of courtyard where ten
or more
brick houses were crammed together around a tiny central square. He
took a
paper from his pocket and looked at the name written there: Mrs. Amelia
Miller. I suppose I must just ask if anyone
knows
her, he thought.
A woman was sitting in the doorway
of the house nearest to him, sewing on a small piece of cloth. Beside
her, on
another stool, was a girl of about nine who was sewing on a similar
piece of
cloth. Both glanced up at the stranger as he approached them, but then
looked
down at their work and kept their eyes on their sewing.
“Pardon me,” the young man
began,
“Do you know of a Mrs. Amelia Miller who lives in
“I do,” said the woman,
“Or I did.
She’s dead these two weeks.”
“Dead!”
“Died o’ consumption last
Tuesday
week, God rest ‘er.”
“You’re certain?”
A smile flickered over the woman’s
face, though she still kept her eyes on her work.
“Sure as anything. I saw ‘er
buried.”
“Well,” said the young man,
“I
suppose my task is finished, then. I’ll tell the solicitor
that she’s not in
need of money anymore.”
“Money?” said the woman, looking
up
for a moment before dropping her eyes to her needle again.
“She was a servant at one time, I
believe,” said the young man. “Her former employer
left her a small sum in his
will, and it was my duty to find her and give her what was due her. Not
now,”
he added hastily, as he suddenly remembered that thieves were thick in
these parts
and might rob him for the money they thought he carried, “but
after her
identity could be proven.”
The woman sighed. “She could ha’
done with a bit o’ money, poor soul. Many’s the
time we’ve sat together sewing
all night to get the rent money before it come due. She ‘ad
no children to
keep, but then, no children to help ‘er, either. Katie here
earns two or three
shillin’ a week.”
The man looked at the girl and saw a
smaller version of her mother. She also had the round shoulders that
came with
constant stooping, the dress well flecked with ends of cotton thread,
and the
swiftly moving fingers.
“Does it take long to earn three
shillings, then?” asked the man.
The woman shrugged. “Three halfpence for button-holing a
dozen collars is small
pay. You see" –she went on, taking a fresh collar from her
pocket to show
him - "the holes is just raw cuts, an’ we have to stitch all
round them
an’ make the button-holes. A single button-hole don't look
much, but there are
three holes in every collar; that's thirty-six in the
dozen—six holes to work
for a farthing. An’
we buy our own thread as well.” She
finished the collar she was working on, laid it aside, and took another
one out
of her large apron pocket. While
she was speaking the young man had been mentally calculating the
quantity of
work required to earn the sum she had named. "Why, you must have to do one
thousand four hundred and forty button-holes to earn even
five shillings!
How can you have time to eat or sleep? The
woman shrugged again. “I work fifteen hours a day, and Katie
four or five. She’s
a minder for a baby when she’s not button-holing.
We can earn ten shillings a week, which is more than most
hereabouts.” The
man was about to exclaim again, but was prevented by the
woman’s saying, “There
you are, Neddy!” in a tone of gentleness. Looking
about him, the young man saw a little boy, about three or four years
old,
coming across the courtyard. The little boy was filthy and dressed in
rags, but
there was a sweet expression on his face. “Are
you hungry, luv?” said the woman, and when the boy nodded,
she said, “Take ‘im
into the house, Katie, and give ‘im a bun.” “Is
he yours as well?” asked the young man. “No,
no, I’ve only got Katie. Neddy’s nobody’s
child.” “Nobody’s
child?” “That’s
right. No parents or family.” “But
where does he live?” “Oh,
he sleeps here and there—most o’ the women in the
Row have a bit o’ kindness
about them, and they lets him sleep on their floors and gives him a
bite of
food when he comes around.” “But
where did he come from?” The
woman shook her head. “I dunno. There’s lots of
nobody’s children, and who’s to
say how any of ‘em got here?” “And
what will happen to him?” The
woman shook her head again. The
young man was silent for a moment, watching the woman’s
fingers swiftly pushing
the needle in and out of the cloth. Katie had returned to her stool and
was
sewing just as rapidly as her mother. And the little boy Neddy was
sitting on
the floor between them, devouring his little brown bun.
Slowly the man reached into his pocket and
pulled out a shilling. “Here,”
he said, holding it out. “That’s to buy him some
food.” And before the woman
could thank him, he walked quickly away. ______________________________________________
© Barbara Coyle 2007 |